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Sterne did not live to complete the part on Italy. He called it a "sentimental" journey because the point of travel was not to see sights or visit art collections, but to make meaningful contact with people. Yorick succeeds, but in every adventure, his ego or inappropriate desires and impulses get in the way of "sentimental commerce." The result is a light-hearted comedy of moral sentiments. Abroad Sterne became the "high priest of sentimentalism," and as such had a profound impact upon continental letters in the second half of the 18th century.
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